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I may destroy you episode 11/8/2024 ![]() ![]() More poignant, we also realize that we are seeing her journey of healing.īut I also understood the payoff. Not until the fourth and final scenario, in which we see Bella deciding to stay home rather than spending another night at the bar in the hope of confronting David, do we realize all these situations are potential endings for Bella’s second book. At first, it is unclear whether she is trying to remember what has just happened or if she is trying to determine which ending is the right one. And when she asks him to leave, he, and the bloody version of himself stuffed under her bed, walk out of her bedroom together.Īfter each of these encounters, Bella abruptly grabs an index card, scribbles down what happened, and pins it to her bedroom wall. “I’m not going to go unless you tell me to,” he says. ![]() The next morning, Bella does not wake up with a bloody forehead or plagued by flashbacks, but with David tenderly watching her. Like all the other scenarios, they end up in the restroom, but this time, they make out, with Bella and David returning to her apartment to have consensual sex. Next, in a near-empty bar this time, Bella introduces herself to David, who is shy and deeply flattered by her attention. That scene closes with a teary Bella trying to help an inconsolable David as the police take him away. Moved by his vulnerability, Bella takes him back to her apartment, where he admits to having raped others many times before, even once going to prison for it. Once David realizes that Bella is not sedated by his drugs, however, he tries to assert himself by belittling and attempting to choke her, only to quickly break down and apologize, while intimating that he too is a victim of assault. In another version, Terry and Bella concoct a plan to have a coked-up Bella trick David into assaulting her again, in order to have the police catch him in the act and arrest him. In addition to creating an astonishingly original narrative about sexual trauma, Coel also does something far more ambitious: She gives Arabella the power and authority to choose from one of a variety of endings, even if they contradict one other, without ever calling into question the fact of Arabella’s rape. So Arabella’s seeks justice through her art, and Coel’s fragmented storytelling becomes even more so: She offers three different potential endings, and one real one. Officially, there is now no assailant to be found, no one to be arrested or convicted of her assault, and no legal recourse available to her. In Episode 8, nearly nine months after her assault, police officers sympathetically tell her the DNA sample they retrieved from her had cleared their only suspect, and that without further evidence, they must declare it a cold case. receipts and discussing the crime with the police and a survivor’s support group.Īnd yet, as her memory becomes more clear, accountability for her perpetrator becomes more elusive. In subsequent episodes, she fills in the gaps in her timeline by talking to friends she was with that night, retracing her steps via Uber and A.T.M. The show opens with Arabella (called Bella by her friends) taking a break from working on her book to meet a group of friends at a bar, after which she ends up being dragged to a bathroom stall and assaulted. In “ I May Destroy You,” Coel created an entire series based around flashbacks and fragmented memories of a rape.
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